September 2010
1 post
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August 2010
38 posts
from jens jakob thodberg
four photographs from the workhop of marja pirila
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Red Notebook: Pinhole Photography article →
A short article I wanted to share.
Alessandra
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infection
I guess, I will stay definitely infected by the Slow-Foto-Virus, thanks to the wonderful Workshop with Alessandra and the inspiring fotografic metabolism of the group. Thanks to all of you and thanks to Charlotte for her delicate documentation! Cornelia
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Finally
… I found the switch to upload pictures (thankx Alessandra to your patience in explaining).
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sammelraum asked: Hi Alessandra!
What is the best/easiest way to put some pictures at "Die Obskure Kammer"?
Shall I put them on my Facebook page? send it to you via email or is there a direct possibility in this blog which I don't see (as I'm very new to this blogging things...)
Have a nice day Wolfgang
What is the best/easiest way to put some pictures at "Die Obskure Kammer"?
Shall I put them on my Facebook page? send it to you via email or is there a direct possibility in this blog which I don't see (as I'm very new to this blogging things...)
Have a nice day Wolfgang
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…minutes before the exhibition opening…, Wolkersdorf, 7.8.2010
I enjoyed very much to be with you during this two weeks.
Charlotte
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good feeling...
…at the workshop and so many nice people there. thank’s.
love monika
From Baerbel
Hallo Marja, hallo Alessandra,
the workshop in Wolkersdorf was really good. I enjoyed to be a part of it.
Thanks
Bärbel
Taking pictures is like tiptoeing into the kitchen late at night and stealing...
– http://www.photoquotes.com/
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FLUSS →
Workshops on Photography, Media Art and more in Wolkersdorf, Austria
http://en.wikipedia.org/wiki/File:Schloss_Wolkersdorf.jpg
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Back in Italy!
Hello everybody,
I’m back in Italy and setting up this blog for you to post pictures.
Thank you for the great time.
Stay tuned!
Alessandra
Alessandra in Wolkersdorf, August 2010
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Die obskure Kammer
FLUSS Workshops @ Schloss Wolkersdorf - Austria - Summer 2010
Photography that is based on the historic principle of the camera obscura cannot be created by using standard means of perception, such as looking through a lens or a viewfinder. To be able to achieve satisfying results and to produce high quality pinhole photographs, one needs intuition, experience and the ability to let go...